Adam J. Ledger
Odin Teatret Work Demonstrations
Commentary
Adam J. Ledger contextualises Odin Teatret’s work demonstrations, their background and specific sections as part of a broader tradition of training within the Odin Teatret company.
In this demonstration-performance, Odin Teatret’s Iben Nagel Rasmussen shows and explains her working practice, from her training methods through to performance.
An explanation of how performances are created at Odin Teatret. It describes the stages in the work, presenting the different phases of the process in which text, actor and director interact.
A performance that describes the vicissitudes of the voice of an actor and the stratagems she invents to ‘interpret’ a text. In theatre, actors need to create a labyrinth of rules to follow or refuse.
A performance-demonstration about the difference between theatre and dance. European culture suffers from the division between theatre and dance. They are, in fact, a single world.
- 1990s
- Action
- Actor Training
- Asian Performance
- Bertolt Brecht
- Brecht’s Ashes
- Claudio Coloberti
- Come! And the Day Will be Ours
- Composition
- Dance
- Demonstration Performance
- Denmark
- Dramaturgy
- Erik Exe Christoffersen
- Eugenio Barba
- Farfa
- Form
- Genre
- Great Cities Under the Moon
- Holstebro, Denmark
- ISTA
- Ian Watson
- Iben Nagel Rasmussen
- Jerzy Grotowski
- Julia Varley
- Laboratory Theatre
- Magdalena Project
- Milan
- Moon and Darkness
- Mother Courage
- Music
- Nicola Savarese
- Odin Teatret
- Psychophysical Acting
- Roberta Carreri
- Score
- The Bridge of Winds
- The Dead Brother
- The Echo of Silence
- The New Winds
- Theatre Anthropology
- Torgeir Wethal
- Transit Festival
- Voice
- Whispering Winds